At its core, "Moonrise Kingdom" is a film about the struggles of adolescence and the quest for identity. Sam, a troubled and introverted young man, is a misfit among his peers and finds solace in his love of nature, reading, and solitude. Suzy, a precocious and creative teenager, is similarly isolated, having moved to the island with her family and struggling to connect with her parents. When Sam and Suzy meet, they form an instant bond, sharing a sense of disconnection and disillusionment with the world around them.
Ultimately, "Moonrise Kingdom" is a film about the power of imagination and the resilience of the human spirit. As Sam and Suzy navigate the challenges of adolescence, they discover that their love and individuality are sources of strength, rather than weakness. The film's conclusion, with its bittersweet and hopeful tone, leaves the viewer with a lasting sense of the beauty and complexity of human experience. Moonrise Kingdom
Wes Anderson's 2012 film "Moonrise Kingdom" is a cinematic masterpiece that transports viewers to a nostalgic and idyllic world of childhood innocence, first love, and self-discovery. Set in the 1960s on a small island off the coast of New England, the film tells the story of two outcast teenagers, Sam Shakusky and Suzy Bishop, who find each other and themselves in a world of turmoil and conformity. At its core, "Moonrise Kingdom" is a film
Cohn+Duprat
Luego de cinco años en México como Head of Fiction de Fremantle Latinoamérica, Manuel Martí regresó a Buenos Aires en 2025 como productor ejecutivo en Cohn+Duprat en el desarrollo de series y películas. El ejecutivo construyó gran parte de su carrera como director de Desarrollo y Producción Internacional de Polka, empresa en la que trabajó desde 2014. Bajo su cargo se hicieron producciones como Signos y El jardín de bronce, entre otras. Martí también trabajó en Turner durante ocho años en el área de Producción. Anteriormente fue director de La Produ y director creativo de Rock & Pop TV.